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Music Bio

Marina Lopez is a Pittsburgh-based composer, educator, and budding writer. She seeks to challenge borders between musical genres and between art forms, to create immersive experiences that challenge the listeners' preconceptions. Born and raised in Mexico City, she has a deep interest in exploring the psychological, ethnomusicological, and physical roots of her musical heritage.

She started pursuing musical composition in the Fall of 2012, under the guidance of the late Dr. David Stock. In the Spring of 2018, she completed her Master's level studies in Musical Composition under Leonardo Balada, at Carnegie Mellon University.

Her music has been performed by the Transient Canvas, the Chamber Orchestra of Pittsburgh, the Carnegie Mellon University Contemporary Ensemble, Counter)inductions ensemble, the Carnegie Mellon University Philharmonic, Kamratōn ensemble, and Boston's White Snake Project, amongst others. She has participated in reading sessions with the Pittsburgh Symphony Orchestra under maestro Leonard Slatkin, as well as with the Houston Symphony Orchestra under Maestra Yue Bao. 

Her first opera 'Not Our First American' premiered at Pittsburgh Opera on April 13th, 2019, as part of Co-Opera; a year-long collaboration between Pittsburgh Opera and Carnegie Mellon’s Music and Drama departments. Her second opera 'Rosa' premiered in December 2022 by Boston-based opera company Whitesnake Projects. 

Through the fall of 2019, she worked with Alia Musica Pittsburgh, a not-for-profit that helped nurture the New Music scene in Pittsburgh.


From the fall of 2020 through the Spring of 2021, she developed and led a music education after-school program with the local nonprofit Casa San Jose. She is currently developing similar curriculums for Volta Music Foundation, which seeks to make music education accessible to students in need in Latin America and create music programs that help underserved communities in the U.S.


Extra Writing Bio

In the Spring of 2018 Marina’s poem Penance won First Prize at the university-wide Martin Luther King Jr. Writing Award at Carnegie Mellon University. In July of 2020, she published a personal essay in Publicsource, a local Pittsburgh magazine. The essay has since been translated into Spanish and published in Presente Magazine.


Marina has been involved with the Mad Women in the Attic writing workshops at Carlow University since the fall of 2019. In the fall of 2021, her poem Para mama Chole was be published in their Voices From the Attic biannual publication.

In April 2022 her poem 'Deep Cuts' was published as part of the 'Eco-Justice for all!' zine, a special project from poet laureate Celeste Gainey and City of Asylum Pittsburgh. Her poetry was also been published in Empyrean Magazine's Second Issue in the Summer of 2022.

Marina expects to continue her writing journey alongside her composition career, sharing and publishing her poetry and fiction both in English and in Spanish.

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